folk | Andy Roberts

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Hold On Below - Andy Roberts

http://www.youtube.com/watch?v=jWA6x9q4_5s&feature=youtube_gdata
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February 2 2012, 5:53am | Comments »
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The Wreckers Prayer - Andy Roberts at Loughton Folk Club

http://www.youtube.com/watch?v=RIwffruuOBk&feature=youtube_gdata
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October 21 2011, 11:44am | Comments »
I posted to youtube.com

San Francisco by Maxime le Forestier. Andy Roberts at Romford folk club

http://www.youtube.com/watch?v=UUVZPSfH3Gs&feature=youtube_gdata
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October 5 2011, 1:52pm | Comments »
I posted to andyroberts.me

Podcast #48 – Opening Night at Haverfolk

http://andyroberts.me/havering-folk-club/podcast-48-opening-night-at-haverfolk

Andy Roberts Podcast episode #48 features six songs performed live at the opening night of the new renamed “Haverfolk” club at the new venue, the White Horse on London Road, Chadwell Heath. Full address is The White Horse, 118 High Road, Chadwell Heath, Romford, Greater London RM6 6NU I quite like The Stables Function Suite as a room, the acoustics are bright and loud unlike the previous venue The Moby Dick, which deadened everything. It could be a bit on the friendly and intimate (small) side if everybody turned up at once, but that’s better than shrinking the audience through having an unsympathetic atmosphere, which the White Horse doen’t by any means. So Wednesday August 24st signified the first night for the old Havering Folk Club – Now Haverfolk at the White Horse, at which I can arrive promptly by taking the train to Chadwell Heath station and then walking around the corner for about ten minutes. No need to take an additional bus, which makes it less hassle to get from as well of course. Being August, several of the regulars were away including a contingent visiting the Whitby Folk Week, so there was enough time to do two sets, and I was invited to perform an extended 2nd set to end the evening, which is how I come to have enough material to make into a podcast episode, a collection of six songs in total, four of which are self compositions and two are traditional. Here is the download podcast link, file details show notes and set list for podcast number 48: Subscribe to the podcast RSS or get it from iTunes Download MP3 to save – 33.8 Mb in size, playtime 23 minutes 29 seconds :- 48 Andy Roberts Podcast Episode 48.mp3 Andy Roberts Podcast #48 Shownotes Show Notes for Podcast 48

Cormorants - Andy Roberts original Sitting On The Bank - Andy Roberts original The Wreckers’ Prayer - Andy Roberts original Captain Coulston – Traditional folk song Truro Agricultural Show - Traditional folk song Yellow Boat - Andy Roberts original

Andy Roberts Video Podcast Live from Haverfolk Cormorants

Sitting On The Bank

The Wreckers’ Prayer

Captain Coulston

Truro Agricultural Show

Yellow Boat
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August 25 2011, 2:50pm | Comments »
I posted to youtube.com

Hold On Below - Andy Roberts Night at Romford Folk Club

http://www.youtube.com/watch?v=9YPRFMWH5Ag&feature=youtube_gdata
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August 16 2011, 8:46am | Comments »
I posted to distributedresearch.net

Steve Tilston: The Reckoning – review

http://distributedresearch.net/blog/2011/07/22/steve-tilston-the-reckoning-%E2%80%93-review

A Four Star review from the Guardian for Steve Tilston‘s album ‘The Reckoning‘ This article titled “Steve Tilston: The Reckoning – review” was written by Robin Denselow, for The Guardian on Thursday 21st July 2011 21.31 UTCIn the Pennine hills in Yorkshire there lives a singer-songwriter and guitarist who has never achieved the public attention he deserves, but has always been praised by fellow musicians. Steve Tilston writes thoughtful, highly personal songs and is one of the finest instrumentalists on the folk scene, with a style that echoes the elaborate, rhythmic “folk baroque” guitar work of Bert Jansch and Davy Graham. He writes about anything that takes his interest, and the songs here range from unashamedly lyrical pieces about the countryside to others concerned with memory, nuclear waste, or a cheering story from the Spanish civil war, given a flamenco edge. There’s even a thoughtful meditation on the existence of God, Doubting Thomas, given a slinky, bluesy backing, and an update of the traditional Nottamun Town, now treated as a contemporary political nightmare. There’s occasional backing from accordion, harmonica and even a string section, but the album is dominated by Tilston’s exquisite guitar work, and features two spirited solo instrumental tracks, including a suitably virtuosic tribute to Graham.guardian.co.uk © Guardian News & Media Limited 2010Published via the Guardian News Feed plugin for WordPress.Thanks for subscribing to Andy Roberts blogSteve Tilston: The Reckoning – reviewRelated posts:The Unthanks: Last – reviewRadiohead: The King of Limbs – reviewGolden rower Tom James forces his way back into Olympic reckoning
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July 22 2011, 5:46am | Comments »
I posted to youtube.com

Mondura Dam - Andy Roberts original song

http://www.youtube.com/watch?v=E3C0E3aTLDc&feature=youtube_gdata
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June 13 2011, 6:02am | Comments »
I posted to andyroberts.me

It’s Podcast 44 – Romford Folk Club part 2

http://andyroberts.me/podcast/its-podcast-44-romford-folk-club-part-2

Andy Roberts Podcast 44 Episode 44 of the Andy Roberts Podcast continues the soundtrack from the Romford Folk Club guest night of April 12th with six more self written songs performed live. Here’s the download and play link etc: Download podcast 44 Subscribe to the podcast RSS or get it from iTunes Download MP3 to save – 38 Mb in size, playtime 26 minutes 20 seconds :- 44 Andy Roberts Podcast Episode 44.mp3 Andy Roberts Podcast #44 Shownotes Show Notes for Podcast 44

Yellow Boat Gernika Doing it all alone Migration Joan of Arc The Dream is Over
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June 12 2011, 11:27am | Comments »
I posted to andyroberts.me

Podcast 43 – Romford Folk Club 12/04/11

http://andyroberts.me/podcast/podcast-43-romford-folk-club-120411

Podcast 43 is made from the first part of the soundtrack of the April 12th gig at Romford Folk Club Here’s the download and play link etc: Download podcast 43 Subscribe to the podcast RSS or get it from iTunes Download MP3 to save – 37.6. Mb in size, playtime 26 minutes 4 seconds :- 43 Andy Roberts Podcast Episode 43.mp3 Andy Roberts Podcast #43 Shownotes Show Notes for Podcast 43

Hold On Below Time For The Music Waiting Work Is Done Cormorants Narrowboats
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May 23 2011, 10:03am | Comments »
I posted to distributedresearch.net

Bob Dylan posts web message about China shows

http://distributedresearch.net/blog/2011/05/14/bob-dylan-posts-web-message-about-china-shows

Bob Dylan on his own websites claims the authorities did not censor his setlist for the recent China concerts.

This article titled “Bob Dylan posts web message about China shows” was written by Caspar Llewellyn Smith, for guardian.co.uk on Friday 13th May 2011 18.12 UTC Confounding seasoned Bob Dylan fans, the 69-year old song and dance man has posted a message on his official website addressing the controversy surrounding his concerts in China in April. Dylan has never previously communicated with his followers in this way, but he has now refuted the suggestion that he allowed the Chinese government to censor his setlist. Several critics – if not all – questioned his motivation, including New York Times columnist Maureen Dowd, who wrote that Dylan “sang his censored set, took his pile of Communist cash and left.” In response to such accusations, Dylan wrote on bobdylan.com that the Chinese authorities had not refused him permission to play there, and while “according to Mojo magazine the concerts were attended mostly by ex-pats”, there were not many empty seats and this was not true. “If anybody wants to check with any of the concert-goers they will see that it was mostly Chinese young people that came,” he continued. Dylan added: “The Chinese press did tout me as a 60s icon, however, and posted my picture all over the place with Joan Baez, Che Guevara, Jack Kerouac and Allen Ginsberg. The concert attendees probably wouldn’t have known about any of those people. Regardless, they responded enthusiastically to the songs on my last four or five records. Ask anyone who was there. They were young and my feeling was that they wouldn’t have known my early songs anyway.” In respect to the idea that the Chinese government vetted the setlist, Dylan wrote: “We played all the songs that we intended to play”. The singer turns 70 on 24 May, and with an oblique reference to the happy occasion, the sometime author and radio show host concluded this novel missive: “Everybody knows by now that there’s a gazillion books on me either out or coming out in the near future. So I’m encouraging anybody who’s ever met me, heard me or even seen me, to get in on the action and scribble their own book. You never know, somebody might have a great book in them.”

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Related posts:MoDo on Bob Dylan and protest The day I (nearly) met Bob Dylan China considers relaxing one-child policy
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May 14 2011, 3:20pm | Comments »
I posted to distributedresearch.net

Folk’s man of mystery: is Cecil Sharp a folk hero or villain?

http://distributedresearch.net/blog/2011/03/25/folks-man-of-mystery-is-cecil-sharp-a-folk-hero-or-villain

Songwriters are given a week to write a bunch of songs about Cecil Sharp. The eight folk-music songwriting ‘celebrities’ include Leonard Podolak from The Duhks, Steve Knightley from Show Of Hands, Jackie Oates, Kathryn Roberts, Jim Moray, Caroline Herring

This article titled “Folk’s man of mystery: is Cecil Sharp a folk hero or villain?” was written by Colin Irwin, for The Guardian on Thursday 24th March 2011 22.30 UTC It sounds like some hideous TV reality show dreamed up by Simon Cowell and Andrew Lloyd Webber during a night on the lash. Dump eight folk-music celebrities in a secluded house in Shropshire and give them six days to create from scratch a suite of songs to be performed in front of paying audiences in Shrewsbury and London and then recorded for a live album. Careers have been destroyed on less whimsical ideas. The subject of their mission is Cecil Sharp, the great song collector whose work in the early years of the 20th century helped lay the foundations of the modern folk revival. Visiting them on day three at their remote hideaway – a rambling farmhouse near Church Stretton – you anticipate plenty of carnage: frayed tempers, blood on the carpet, egos splattered on walls, creativity-devouring levels of tension in the air. But no, instead, they are … dancing. Part of their brief is to incorporate Sharp’s collecting trips to the Appalachian mountains, and Leonard Podolak, an extrovert, shaggy-haired Canadian taking time out from his band the Duhks, is using this as an excuse to lighten the mood and teach the others some audience-rousing step-dance moves. “It’s going pretty well,” says Steve Knightley, frontman with Show of Hands and unofficial father of the house. “We came in on Friday, had a Chinese takeaway, listened to a talk about Sharp, got drunk and started work.” It sounds as if Knightley almost cracked it on that first night. “The women all went to bed and the rest of us sat in the kitchen strumming and talking, and in the space of that time Steve wrote three songs one after another,” says singer, writer and multi-instrumentalist Jim Moray in wonder. “He’d play a chord and off the top of his head sing something, anything, and say: ‘I’ll just record that on my phone.’ Some of the words are nonsense and don’t gel, but he goes back and develops it. I can’t do that. I can’t sit there free-associating nonsense, because I feel so self-conscious about it. But Steve has that confidence in his own ability to do that.” Operating under the umbrella of the Shrewsbury folk festival, where the Cecil Sharp Project will be staged at the end of August, project director Neil Pearson’s choice of artists reflects personal taste as much as any scientific assessment of personalities. “I had a long list of about 40 artists who I thought could make it work. I approached 10 of them first of all, and the eight who said yes are the eight we have here.” “I’m not getting involved in the creative process at all,” says Pearson, who masterminded a similar project to mark the bicentennial of Charles Darwin’s birth, two years ago. “The only thing I’ve said is that I’d like them to start and end with ensemble pieces. The rest is entirely up to them. I’m very confident the musicians we have will come up with something special.” Considering the time strictures, they do all seem remarkably laidback, gathering in little clutches around the house. Fuelled by a constant flow of iced coffee, Leonard Podolak is a loud and relentless force of nature, carrying his laptop around to treat housemates to his favourite YouTube clips, banjo glued to his arm, shouting, “I’m a Cheatham County chitlin-cooking lover …” at the top of his voice to anyone within earshot. Chitlins are a dish made from pig’s intestines, and he’s trying out a song that confronts the dietary limitations encountered by the vegetarian Sharp on his journey into the Appalachians. In the kitchen, meanwhile, some more genteel interaction involves Jackie Oates and Kathryn Roberts practising glorious harmonies on Seeds of Love, the first traditional song collected by Sharp. He heard it sung by a gardener, John England, while taking tea with his friend, the Rev Charles Marson in Hambridge, Somerset in 1903. In another room, Moray fleshes out a guitar arrangement as Knightley toys with darker images of Sharp on his deathbed, haunted by the ghosts of the singers from whom he’s collected music demanding the return of their songs. The subject of Cecil Sharp has long divided folk-song scholars. The popular image is of a charming eccentric cycling around Somerset knocking on people’s doors persuading old ladies to sing him their lovely old songs so he could save them from extinction, and preserve them through his books and lectures to provide a formidable harvest for future generations to enjoy and plunder. The conflicting modernist view is of a controlling manipulator who presented a false idyll of rural England by excluding anything that didn’t fit his agenda, moulding himself as an untouchable icon of the folk-song movement in the process. Either way it’s a compelling story. At a time when other folk song collectors such as George Butterworth were dying in the trenches during the first world war, Sharp was on a mission in the US, battling ill-health exacerbated by the oppressive climate as he obsessively attempted to unravel the heart of the old world in the purity of folk songs he found in the new. “It is strenuous work,” he wrote. “There are no roads in our sense of the word … I go about in a blue shirt, a pair of flannel trousers with a belt, a Panama hat and an umbrella. The heat is very trying …” And that’s about as much as he reveals about himself, frustrating the songwriter in Knightley, who considers Sharp a far tougher nut to crack than Charles Darwin. “With Darwin you had world-changing views, with all the reaction to that from the religious side, plus the geography, the travel, the exotic flora and fauna … and no music to distract you. With Sharp there’s this great body of work, and nothing about the man.” This may in no small part be due to Maud Karpeles, Sharp’s faithful assistant on those epic expeditions into the Appalachians, who fiercely protected his legacy following his death in 1924, writing an anodyne biography that depicted him as a saint. “What we all really want to know is: did Cecil shag Maud?’ says Knightley to nervous hilarity in the house, with enough secretive giggling over hastily written lyrics and nascent choruses to suggest such lascivious suggestions are indeed being considered as an irreverent song topic. “Sharp was definitely all about the work,” says Moray. “His diaries are informative, but they just say things like ’2pm: dinner with Miss Hamer. 6pm: theatre.’ If he had ulterior motives – whether political or whatever – they weren’t mentioned or documented. Most people have arrived at this idea of him being a controlling, sanitising man, but I don’t think it was malicious or sinister. I just think he was very driven. I don’t believe he was rewriting history the way some people imagine.” Hailing from Canton, Mississippi, Caroline Herring knows all about Sharp’s US collecting trips. “The ballads I’ve heard since childhood, like Fair and Tender Ladies, Barbara Allen, Knoxville Girl, make up the standard bluegrass tunes I first played. I jumped at the chance to come here. A folk music career in the US is not always showy and sexy, so it was a dream to come over here and work with these musicians. I go online at night and read about how they’re all stars and come back down and have pancakes with them in the morning.” It was Herring who picked up on the fact that at a time when 13% of the population in the Appalachians was black, Sharp wilfully ignored them. He collected only two songs from black singers, one of them being Barbara Allen, learned from “Aunt” Maria Tomes, an 85-year-old former slave he found smoking a pipe in a log cabin in Nellysford, Virginia in 1918. Suitably inspired by this footnote, Herring and Knightley start working up a vehement blues telling Aunt Maria’s story. Exhausted, they all gradually drift off to bed, half-written songs and scraps of tunes spinning round their heads. Yet deep into the early hours, the group’s two main mischief makers, Podolak and Cutting, are still swapping tunes, jokes and video clips before deciding to make a pancake mix for breakfast. When he surfaces a couple of hours later next morning, Podolak says he still couldn’t sleep. “When I went to bed I wrote this brilliant three-part tune entirely in my head, but I was too tired to get up and now I can’t remember any of it. I wish I had one of those frickin’ iPhones.” You wonder if Cecil Sharp might have thought the same. The Cecil Sharp Project performs at Cecil Sharp House, London, on Saturday and Sunday.

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Thanks for subscribing to Andy Roberts blogFolk’s man of mystery: is Cecil Sharp a folk hero or villain?

Related posts:Mozambique at Havering Folk Club Rowan Tree Folk Song The Unthanks: Last – review
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March 25 2011, 7:39am | Comments »
I posted to distributedresearch.net

Ray Davies reveals lineup for 2011 Meltdown festival

http://distributedresearch.net/blog/2011/03/24/ray-davies-reveals-lineup-for-2011-meltdown-festival

Ray Davies the Kinks singer, who is curating this year’s Southbank Meltdown festival, has ambitious plans for the programme of diverse acts including roto-punks the Fugs, Nick Lowe, Madness, Lydia Lunch, Yo La Tengo, Ray Davies, the Sonics, Arthur Brown, the Legendary Pink Dots, the Alan Price Set and the London Sinfonietta, John Cooper Clarke and Roger McGough.

This article titled “Ray Davies reveals lineup for 2011 Meltdown festival” was written by Caspar Llewellyn Smith, for guardian.co.uk on Thursday 24th March 2011 11.59 UTC Ray Davies has revealed his lineup for the 2011 Meltdown festival and said the bill is “about Britain – we’re trying to cover all the aspects … mad, serious, artistic, creative, the whole spectrum”. The Kinks singer is the curator of this year’s festival, which forms part of the Southbank Centre’s 60th-anniversary celebrations of the Festival of Britain. Davies visited the festival as a child and said he was keen to include music from the six decades since. “Some ideas are too mad to be feasible,” he told the Observer, “but I’m a high-achiever and I want something special this year.” The lineup includes a diverse range of acts including proto-punks the Fugs – playing their first London show since 1968 – Nick Lowe, Madness and Lydia Lunch. Also appearing are US indie stalwarts Yo La Tengo, who once served as Davies’s backing band. The 66-year-old singer-songwriter will open and close the festival himself, playing first with his new band and then with the London Philharmonic Orchestra. Another highlight is likely to be a recreation of iconic 60s TV pop show Ready Steady Go!, which featured stars including the Beatles, Marvin Gaye and Dusty Springfield as well as the Kinks. “When the Kinks performed You Really Got Me on there live, it put the record to No 1,” Davies said. “There’s something missing from our culture now, that kind of show. Yes, we have The X Factor, but Ready Steady Go! allowed the performers to be themselves, they weren’t manufactured.” The Meltdown show will include stars from the era and contemporary artists chosen by original TV producer and Springfield’s manager Vicki Wickham. Other featured acts at Meltdown include the Sonics, Arthur Brown, the Legendary Pink Dots, the Alan Price Set and the London Sinfonietta performing works by Harrison Birtwistle and Peter Maxwell Davies. Reflecting the humour in Davies’s work, there will also be an appearance from Monty Python member Terry Jones – a booking that the curator ascribes to his being one of his north London neighbours. Other spoken-word performers will include poets John Cooper Clarke and Roger McGough. A series of screenings and related events will also take place at the BFI. More acts are yet to be announced. Davies said “the ideas I have are very ambitious,” and talked about how the Southbank Centre’s artistic director Jude Kelly and senior music programmer Jane Beese were working with him to his reflect his original vision – “and I wanted it to reflect our culture through the years.” Past curators of Meltdown – established in 1993 – include Elvis Costello, John Peel, Jarvis Cocker, Massive Attack and Ornette Coleman. Last year saw the turn of folk singer Richard Thompson. The Kinks scored their first UK No 1 with You Really Got Me in 1964. The band split in 1996, but Davies continues to record as a solo artist. Last year he released See My Friends, an album of songs including Dead End Street and Waterloo Sunset originally recorded by the Kinks, now reworked with special guests such as Bruce Springsteen and even Metallica. The Observer is media partner of Meltdown 2011. The Festival of Britain celebrations are supported by Mastercard. meltdown.southbankcentre.co.uk

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March 24 2011, 1:38pm | Comments »
I posted to andyroberts.me

Podcast #35 – Lizzy B’s Session and The Streets of Paris

http://andyroberts.me/podcast/podcast-35-lizzy-bs-session-and-the-streets-of-paris

The Live Session from Lizzy B’s acoustic night at the Essex Arms Brentwood takes up most of podcast #35 with one new song written for the Songwriters Circle challenge appended. There wasn’t a live podcast on livestream this week, so it was handy that I had these tracks almost ready to go. Here’s the player, link and download :

Subscribe to the podcast RSS or get it from iTunes Download MP3 to save – 28.8 Mb in size, playtime 29 minutes 54 seconds :- 35 Andy Roberts Podcast Episode 35.mp3 Andy Roberts Podcast #35 Shownotes The first 4 songs were recorded at Lizzy B’s Acoustic Sessions in Brentwood, Essex I also mentioned the Andy Roberts interview for The Lost Folk Tapes The last song, was a contribution to the Songwriters Circle WK 2 Challenge

Mazet – Andy Roberts Migration – Andy Roberts The Last Subway Home – Andy Roberts Grow Fins – Captain Beefheart The Streets of Paris – Andy Roberts

The Streets of Paris The Streets of Paris by andyroberts
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March 2 2011, 10:12am | Comments »
I posted to youtube.com

The Last Nail - Andy Roberts at 4 Seasons Folk Club

http://www.youtube.com/watch?v=zaj72Eh8tsk&feature=youtube_gdata
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February 23 2011, 12:59pm | Comments »
I posted to youtube.com

The Rowan Tree - Andy Roberts 4 Seasons Folk Club

http://www.youtube.com/watch?v=UyCk8w8nYvE&feature=youtube_gdata
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February 23 2011, 10:22am | Comments »
I posted to youtube.com

Yelow Boat - Andy Roberts 4 Seasons Folk Club

http://www.youtube.com/watch?v=MF5r4iUGIBc&feature=youtube_gdata
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February 23 2011, 10:09am | Comments »
I posted to delicious.com

Four Seasons Folk Club – Andy Roberts Podcast #32

http://andyroberts.posterous.com/four-seasons-folk-club-andy-roberts-podcast-3

For Andy Roberts Podcast #32 we have the full set of songs performed live in front of an audience at the Four Seasons Folk Club, in West London on Saturday February 5th, 2011. This was ...
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February 9 2011, 7:23am | Comments »